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  1. Courses
  2. Hindustani Classical Vocal Course (Prarambhik)
  3. Akhil Bharatiya Gandharva (Prarambhik Curriculam)
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Home └Hindustani Classical Vocal Course (Prarambhik) └Akhil Bharatiya Gandharva (Prarambhik Curriculam)

Hindustani Classical Vocal Course (Prarambhik)

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Course content   
  • Theory Of Hindustani Classical Vocal
    • Hindustani Classical Vocal (Basic Terms)
    • Introduction to Hindustani Classical Vocal
  • Alankars
    • Alankars In EkTaal
    • Alankars In Teen Taal
  • Raagas
    • Raag Bhoopali
    • Bhaj Man Nish Din Shyam
  • Random Videos
    • Jaago Mohan Pyaare

Akhil Bharatiya Gandharva (Prarambhik Curriculam)

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Elementary Vocal–Instrumental Music Examination

Total Marks: 50

  • Practical: 40
  • Theory (Oral): 10
  • Minimum Passing Marks: 18

General Instructions

The student is expected to:

  • Be familiar with swara (notes) and tala (rhythm).
  • Apply this knowledge in practical music performance.
  • Demonstrate theoretical understanding orally during the practical examination.

Theory (Oral)

Students should know the following aspects of the prescribed ragas:

  • Thaat (parent scale)
  • Swaras
  • Time of performance
  • Vadi and Samvadi
  • Aroh–Avaroh (ascending and descending scale)

Talas to Study

  • Keharwa
  • Dadra
  • Trital (Teentaal)

Students should also practice:

  • Reciting bols with hand claps.
  • Performing an 8-matra (beat) version in Madhya Laya (medium tempo), similar to the 16-matra Trital structure.

Practical Section

A) Swara Knowledge

Students should be able to:

  • Sing/play pure notes correctly.
  • Identify notes individually and in simple note combinations.
  • Practice the following basic Alankars (patterns):

Alankars

  1. Sa Re Ga Ma Pa Dha Ni Sa'
  2. Sa Re Ga, Re Ga Ma, Ga Ma Pa ........ Sa' Ni Dha, Ni Dha Pa, Dha Pa Ma
  3. Sa Re Ga Ma, Re Ga Ma Pa, Ga Ma Pa Dha,  ......... Sa' Ni Dha Pa, Ni Dha Pa Ma
  4. Sa Re Sa Re Ga, Re Ga Re Ma ... Sa' Ni Sa' Ni Dha, Ni Dha Ni Dha Pa
  5. Sa Ga, Re Ma, Ga Pa, Ma Dha ... Sa' Dha, Ni Pa, Dha Ma
  6. Sa, Sa Re Sa, Sa Re Ga Re Sa ... Sa' Sa' Ni Sa', Sa' Ni Dha Ni Sa'

B) Raga Knowledge

Students should sing/play one composition (Bandish or Gat) in each prescribed raga with proper swara and tala.

Prescribed Ragas

  • Durga
  • Kafi
  • Khamaj
  • Bhimpalasi
  • Bageshri
  • Bhupali
  • Des

Students must be able to:

  • Sing/play the Aroh–Avaroh
  • Perform the Pakad (signature phrase)
  • Identify ragas from simple swara patterns

Marking Scheme

Time Duration

  • Each student will be given 10 minutes for the examination.
  • Every student must be examined individually.
  • Questions should cover different ragas from different sections to ensure the entire syllabus is tested.

Harmonium Usage

  • Harmonium may be used only for the base notes:
    • Shadja–Pancham (Sa–Pa)
    • Madhyam support
  • Accompaniment is allowed while singing the first raga.

Distribution of Marks

ComponentMarks
Setting the scale (Sa–Pa–Sa) and one Alankar4
One prescribed raga with Aroh–Avaroh and Bandish8
Another raga with Aroh–Avaroh and Bandish8
Identifying one raga by hearing Aroh–Avaroh4
Singing Aroh–Avaroh of one raga6
Swara identification (examples: Sa Re, Ma Pa, Dha Ni or Sa Re Ga, Ma Pa Dha, Sa Ni Dha)6
Knowledge of one tala and performance of another tala’s Theka4
Oral theory: complete information about one raga6
Vadi–Samvadi of one raga2
Time and Vikrit/Varjit swaras of one raga2

Total: 50 Marks


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